An activist organization has claimed to have scraped millions of songs from Spotify and is preparing to release them online.
Industry experts noted the apparent leak could boost artificial intelligence firms searching for material to develop their technology.
An entity known as Anna’s Archive said it had scraped 86 million music files from the platform and 256 million entries of metadata such as performer and record names. Spotify, which hosts more than 100 million tracks, stated that the leak did not constitute its entire catalog.
“We have located and disabled the nefarious user accounts that engaged in unlawful scraping,” said a Spotify representative.
The Swedish service, which has more than 700 million subscribers worldwide, added that an investigation into unauthorized access found a third party collected public metadata and used questionable methods to bypass DRM [digital rights management].
The streaming service does not think the audio taken by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for offering links to copyright-infringing books, said in a blog it wanted to create a ‘historical repository’ for music.
They asserted the audio files represented 99.6% of all music streamed to by Spotify users and would be shared via ‘peer-to-peer networks’, a method of exchanging large data files online.
“Of course Spotify doesn’t have all the music in the world, but it’s a great start,” commented Anna’s Archive, which describes its purpose as “safeguarding humanity’s knowledge and culture”.
A composer and campaigner for defending artists’ copyright, said the breached music would probably be utilized for training AI models.
“Educating models on pirated data is unfortunately widespread in the tech sector, so this stolen music is highly likely to end up instructing AI models,” he stated.
The group's website alludes to LibGen, a vast online archive of copyrighted books that has allegedly been leveraged by Meta to train its systems.
A founder of an artificial intelligence company wrote on the professional network that members of the public could in theory “create their own personal free equivalent of the service”. He said it could also enable tech companies to “train on modern music at a large volume”.
Copyright has emerged as a battleground between creatives, authors and content creators on one side and tech giants on the other.
In the UK, artists and writers have protested against a government proposal to allow AI companies utilize copyright-protected work without permission unless the owner signals. Almost every participant to a government consultation on the proposal has backed artists’ concerns.
A government minister for technology, research and development told parliament this month there was “little consensus” on the matter, adding that ministers would “use the time to get this right”. The government has committed to make regulatory plans on AI and copyright by next year.
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